About // Contact // CV



About
Peyton Chiang is a Taiwanese American artist working primarily in sculpture, performance, and installation. His work currently explores how ancestral knowledges are embedded in cultural, commercial, and political infrastructures. His work has been exhibited at the Moody Center for the Arts, CAAC Gallery 456, Waley Art, L’appartment49c, Sleepy Cyborg Gallery, and The Eldorado Ballroom.



Contact
Email: [email protected]
Instagram: @peychiang



CV

Education

Rutgers University
Master of Fine Arts in Design

Rice University
Bachelor of Arts in Architectural Studies

Exhibitions/Residencies
2026 · A Simultaneity Mark - MFA Design Thesis Show, Rutgers University, New Brunswick, NJ
2025 · The Holding Pattern: Welcome Back Show, Rutgers University, New Brunswick, NJ
·  Are you still living in New York?
Jersey City, NJ
·  DTA Cross-Cultural Room Exchange,
Waley Art, Taipei, Taiwan
·  DTA Cross-Cultural Room Exchange, CAAC Gallery 456, New York, NY

· What Should’ve Been
, Rutgers University, New Brunswick, NJ

2024 · Unfolding Roots, l’apparement 49c, New York, NY
2023 · Project Row Houses Summer Studio Stages, Project Row Houses, Houston, TX
· Everything But The Kitchen Sink
, Rice University, Houston, TX
· Mavis C. Pitman Exhibition: empty playgrounds, sacred soup, Moody Center for the Arts, Houston TX 
· ones and zeros, Sleepy Cyborg Galleries, Houston, TX

2022 · ones and zeros,  Rice School of Architecture, Houston, TX
2021 · 12 Feet Apart,  Rice University, Houston, TX

Full CV available by request






For Convening (we must remember the beauty of sharing each other’s wits)



For Convening (we must remember the beauty of sharing each other’s wits)

2026

Installation

Polyester chiffon, double georgette, cotton thread

29’ x 18’ x 14’















Referencing traditions of intergenerational care, Taiwanese vernacular objects, and non-Western understandings of space-time, the two companion works, For Convening (we must remember the beauty of sharing each other’s wits) and For Care (within me there are many homes), explore maintenance as material labor and a framework for care. Spatializing a furnace traditionally used for burning joss paper offerings, this textile installation serves as a site where spiritual entanglement becomes visible through a sustained commitment to craft, cleaning, and preparation.  

Presented at the Mason Gross Galleries as part of A Simultaniety Mark, Rutgers MFA Thesis Show.